The Cubicon Icon Pack is your source for distinctive flat, cubic vector icons with a retro twist. It gives you access to over 400 premium vector icons.
A bold set of 260 duotone vector icons in sharp cubic style. Built with modular, geometric forms and editable accent color to match any brand. The sequel to the original Cubicons Chapter 1, now bigger and covers more categories.
The Cubicon Collection is 660 geometric duotone icons built around one visual premise: every object drawn from the same vocabulary of sharp-edged geometric shapes, flat fills, and modular assembly. Two packs — Chapter 1 and Chapter 2 — cover the subjects that appear most often in tech product design, brand identity, and dashboard interfaces. The icons read like miniature illustrations with structural logic running through them, rather than the kind of generic silhouette icon sets that crowd the market. At 660 assets across two chapters, this is one of the largest geometric duotone icon sets available at this price point.
Cubicon icons occupy a specific and underserved position in the icon-set spectrum. Most icon libraries go one of two directions: ultra-minimal single-stroke outlines that read as abstract, or full-color illustrations that carry too much visual weight for UI contexts. The Cubicon style finds a third position.
Each icon is constructed from geometric primitives — rectangles, triangles, hexagons, parallelograms — assembled into recognizable objects using a cubist spatial logic. Depth and dimension come from shape layering and duotone fills rather than from gradients or shadows. The primary fill is typically a flat mid-tone, and the accent color — fully editable — sits on a secondary layer of geometric planes that catch the light conceptually rather than literally. The result reads as three-dimensional without using any rendering tricks.
That structural approach gives the icons a quality that standard flat icon sets lack: visual weight and presence at larger sizes. Most icon sets are calibrated for 24px or 32px UI contexts where fine line detail reads. Cubicon icons work at those sizes, but they also hold up at 80px, 120px, and beyond. The geometric construction stays legible at scale. A single Cubicon icon in a feature section header carries the same visual clarity as a cluster of icons in a sidebar.
The duotone color logic is central to how these icons behave in brand systems. At its simplest, each icon uses a neutral base fill and one accent color. Swap the accent — in Figma by overriding a fill, in Illustrator with a global swatch — and the entire icon reads differently against a different brand palette. A Cubicon set built around a slate gray base with a coral accent looks categorically different from the same set with a navy base and a yellow accent, despite using identical geometry. This makes the collection unusually adaptable. Many illustration sets require significant customization work to fit a specific brand; Cubicon requires a single color decision.
The modular construction logic runs consistently across both chapters. An icon from Chapter 1 and an icon from Chapter 2 placed side by side read as parts of the same geometric system. The shape vocabulary is the same, the geometric assembly logic is the same, the fill behavior is the same. This consistency matters for any project that needs to draw icons from both chapters — a product with enough complexity to need 100-plus icons across multiple feature areas, or a brand identity system that spans multiple product categories.
Business and technology product design is the most direct application. Dashboard interfaces in particular have a visual problem that Cubicon addresses well: the icons in a SaaS dashboard need to carry enough distinctiveness that users can navigate a sidebar without reading every label, while also staying visually calm enough that the actual data in the dashboard remains the focus. Standard outline icons often fail the first test — they're too similar to each other at small sizes. Illustration-style icons fail the second — they're too visually heavy for a data-dense interface. Cubicon's geometric duotone approach passes both. The cubist shape vocabulary makes each icon structurally distinctive, and the two-color fill keeps the visual weight controlled.
Modern brand identity work at the intersection of tech and design uses geometric icon systems as a secondary visual layer — a supporting asset in brand guidelines that sits alongside typography and color. A geometric duotone icon set gives a brand system a consistent visual micro-language without requiring custom illustration budgets. The Cubicon collection at 660 icons has enough range to build out a full brand asset system for most companies without running out of subject matter.
Nature and science communication has an obvious appetite for structural illustration. The geometric approach translates naturally to subjects like biology, ecology, chemistry, and physical science, where objects have real structural logic that geometric construction can honor. Several Cubicon icons address these categories directly, giving environmental and scientific brands a visual tool that fits their content.
Food and hospitality contexts are a less obvious but effective use case. Food-related objects drawn in a geometric cubist style read as premium and considered — a coffee cup made from careful geometric planes signals design intent in a way that a casual cartoon coffee cup does not. Specialty food brands, restaurant groups, and hospitality companies building a premium visual identity use geometric icon sets to signal that thinking.
Developer tools and technical product marketing have adopted the geometric duotone aesthetic strongly over the past several years. The structural clarity of cubist geometry mirrors the structural clarity of good software architecture. An icon set built from geometric primitives signals technical precision to a technically sophisticated audience without alienating non-technical buyers.
At 400 icons, Chapter 1 is the foundation of the Cubicon visual system and the most downloaded pack in the collection. The range here spans the categories that appear most often in professional product and brand design: business objects (charts, folders, documents, locks, calendars), technology subjects (devices, connectivity, cloud infrastructure, code), nature and ecology (plants, animals, weather, environmental concepts), and food and lifestyle (food items, household objects, everyday tools). The geometric duotone construction holds consistently across all 400 icons — the same assembly logic, the same fill behavior, the same proportional grid. This is the pack that establishes what the Cubicon style looks like at full development, and the density of 400 icons means most projects in its target categories can satisfy their icon requirements from this chapter alone. If you're evaluating whether Cubicon fits your project, Chapter 1 is where you spend most of your time.
Chapter 2 extends the Cubicon system with 260 additional icons that fill out categories Chapter 1 covers lightly and introduce new subject areas. The cubist geometry runs through Chapter 2 exactly as it does in Chapter 1 — the shape vocabulary is the same, the geometric assembly logic is the same, the two-tone fill behavior is the same. A designer pulling icons from both chapters for a single project encounters no visual inconsistency. The pack addresses more specific use cases: communication and media objects, health and wellness subjects, transportation, sports and recreation, and home and interior themes. Teams that have deployed Chapter 1 as their primary icon system and find themselves needing coverage in those extended categories reach for Chapter 2 as the natural continuation. At 260 icons, it substantially expands the available pool — the combined 660 icon library covers almost any subject area a product or brand design system is likely to require.
Chapter 1 is sold individually at $45. Chapter 2 at $35. Purchasing both chapters separately costs $80. The Cubicon Collection is priced at $45 — covering all 660 icons from both chapters and any future Cubicon packs added to the collection. That is a $35 saving against individual pack prices, roughly 44% off.
At 660 icons for $45, the Cubicon Collection works out to fewer than seven cents per asset. That math holds up against any comparable geometric icon set on the market, and it makes the collection argument easy: if your project needs more than thirty or forty icons — enough to build out even a basic product icon system — the collection pays for itself over buying packs individually before you've made it through a quarter of the available assets.
The consistency argument runs alongside the price one. Both Cubicon chapters were built to the same geometric specification. Mixing icons from both chapters in a single design environment produces no visual mismatch — the shape vocabulary matches, the fill logic matches, the scale and proportion match. Buying the collection from the start gives you access to the full 660-icon system without managing individual pack licenses or worrying about whether later purchases will sit alongside earlier ones. The visual coherence is guaranteed because both chapters were designed as parts of the same system from the beginning.
Featured Collection
2 Packs
660+ illustrations