The style: a slate figure in a lime world
The person in each scene is outlined in muted slate grey, and everything around them is drawn in lime instead: the brick wall, the garden fence, the city skyline, the trees, the ripples under a kayak. That single decision does the work a second colour or a grey wash usually does. The figure comes forward, the setting stays behind it, and the whole drawing still runs on two colours.
Fills are soft lime gradients laid in as blocks, on clothing, hair, a hillside or a wall panel, fading out toward the edge of each shape rather than stopping hard. The line has a visible hand to it, thin and even with a slight wobble, and it breaks now and then instead of closing every shape. Faces are kept to a dot eye, a short nose and a small mouth, and hair is one solid lime shape. Bodies are tall and loose with long limbs and simplified hands, drawn for posture rather than anatomy.
These are scenes, not spot objects. A figure sits inside a cropped piece of a place: a window frame, a fence line, a tent, a stretch of pavement, with speed lines, sparkles or music notes marking what's happening. The mood is easygoing and everyday, active without being sporty, and it stays well away from corporate stock illustration.
What is inside the pack
50 illustrations on square artboards with clear backgrounds, grouped around how people actually spend a day:
Getting around: skateboard, bicycle, scooter, roller skates, a delivery van, running and walking through the city
Outdoors and travel: hiking with a map and backpack, a compass, a signpost, a camping tent, kayaking, fishing
Home and chores: cooking at the stove, painting a wall, cleaning a window, hanging laundry, sweeping, raking leaves
Garden and pets: watering plants, a window box, picking apples, walking the dog, holding a cat
Downtime and errands: a beanbag and a screen, reading, working at a cafe table, shopping with a cart or basket, paying by card at a terminal
Who it is for
Consumer apps that need people on the page get the most out of it. A fitness or habit tracker can put the runner, the cyclist and the skater on its activity types. Delivery and errands products have the van, the scooter and the shopper. A home services app finally has someone painting a wall and someone cleaning a window instead of another abstract icon.
Marketing sites use this kind of art in the section that explains what a product does for someone's day. Because each scene reads at a glance, a three column feature row can carry three activities without a word of caption. Travel, outdoor and local guide products can pull the hiking, camping, kayaking and fishing scenes straight into category headers.
It also suits slower content: newsletters, blog headers, help centre articles and slide decks, where a drawing of a person mid task warms up a page of text. The scenes are illustrative rather than literal, so the same walking figure works for a commuting article and a wellbeing one.
How to use it
In Figma, drop an SVG in and every path stays live. The figure and the setting are separate shapes, so you can drag the lime background elements out and keep the person alone on a colour block, which is the fastest way to fit a scene into a tighter layout. Recolouring is two values, the slate line and the lime, and the GetIllustrations Figma plugin brings assets into a file without the download loop. The SVG colour editor on the site does a colour swap in the browser.
In React, Next.js or Webflow, inline the SVG when you want to animate a part of the scene, a wheel turning or a speed line drifting, and use the PNG when a plain image tag is enough. The figures sit at a similar scale across the set, so a row of three scenes lines up without resizing each one.
In Illustrator, open the layered AI file to change line weight, drop the setting entirely or move a figure into a wider composition for a hero image.
Formats and technical detail
Each of the 50 illustrations comes in three formats:
SVG, editable vector paths that scale to any size
PNG with a transparent background
AI source file with layers
Two colours carry the pack, a slate line and a lime gradient, which is what lets 50 scenes sit on one site without any of them shouting over the others.
Licence
The commercial licence covers websites, apps, client work, presentations, social posts, print and video, and you can recolour and resize the art as you like. You can't resell or redistribute the files on their own, include them in templates or themes for resale, use them as the main design on merchandise, or add them to AI training datasets. Attribution isn't required.
Pairs well with
The rest of the series shares this line and gradient exactly. Chapter 1 covers SaaS onboarding, empty states and error pages, and Chapter 2 covers medical, art, e-commerce and sales, both scene based like this one. Chapter 3 adds hand gestures and UI icons and Chapter 4 adds food, which is the pairing to reach for: a Chapter 5 person cooking at the stove, a Chapter 4 bowl of ramen as the result. The Flagship collection bundles earlier chapters at one price.