Surreality Illustrations Chapter 6

Surreality Illustrations Chapter 6 is a set of 100 business concept illustrations for SaaS websites and apps, drawn the Surreality way: a cloud with legs that thinks in lightbulbs, a giant hand with an eye in its palm, a coin riding a rocket. Each one is a hand-drawn vector in black ink with one coral accent, and each one stands for an idea rather than a literal object.

That matters on product pages. Growth, focus, risk, onboarding and teamwork are hard to show with a stock photo, and most business illustration sets answer them with the same smiling people and bar charts. This chapter answers them with metaphors that a reader has to look at twice, which is exactly the point of a hero image.

The style: dry ink, one colour, business logic bent sideways

The line is the series line. It looks like a soft brush pen or wax crayon on rough paper: thick, close to one weight, with a grainy broken edge and a hand wobble at every corner. Black carries almost everything, and shoes, trousers and the odd heavy object are filled solid black so each figure has weight at the bottom.

Coral, around #F85B4E, is the only colour. It turns up as a rough textured fill on a flame, a tie, a crown or a chart arrow, and as coral line for motion arcs, ripples, sparks and speech bubbles. There are no gradients, no shadows and no backgrounds. Every piece sits alone on a square artboard, and the previews are shown on a warm off-white, #F8F4EC, which is also the colour this page uses.

The characters are deliberately odd. Heads become clouds, boxes, lightbulbs or single eyes. Hands are mitts, limbs are soft tubes, faces are two dots or nothing. It reads as deadpan and clever, not cute and not corporate, and it gives a SaaS brand a voice that a flat vector set can't.

What is inside the 100 illustrations

Chapter 6 is built around the ideas a software company talks about on its website, in its app and in its pitch deck:

• Growth and strategy: rising chart arrows, a presentation board, chess pieces, a coin on a rocket, dice and targets, a roadblock

• Ideas and thinking: lightbulbs over a cloud, a walking brain cloud, an eye in a hand, a vortex, meditation poses

• Product and SaaS: browsers and gauges, laptops, phones with faces, files and folders, a shopping basket

• Communication and teamwork: speech bubbles, megaphones, chats over coffee, handshakes, people carrying each other

• Pressure and wins: fire, a melting drip, a snail on a map, juggling, crowns and celebrations

Who it is for

SaaS teams get the most from it. A pricing page can show a coin on a rocket next to the annual plan, a feature section can use the lightbulb cloud for an AI writing tool, and an analytics product can put the chart arrow and the gauge next to its dashboard copy. The weirdness makes the page memorable without making it look unserious.

Inside the app, the same pieces work for empty states, onboarding steps, success screens and error pages. A roadblock for a failed import, a snail for a slow sync, a crown for a finished setup. Users read the joke in half a second, and the tone of the product gets warmer.

Agencies building sites for startups, founders putting together a pitch deck, and marketing teams who need blog headers on productivity, remote work or strategy will find a match here too. One accent colour means you can switch it to the brand colour and keep the whole site consistent.

How to use it

In Figma, paste the SVG and everything stays editable. Select the coral and change it to your brand colour in one step, or use the GetIllustrations Figma plugin to search and drop illustrations straight into your file. If you just want a quick recolour before downloading, the SVG colour editor does it in the browser.

For React, Next.js or Webflow, use the SVG inline or as an image. The files stay sharp from a small empty state up to a full-width hero. In Illustrator, the AI files let you pull a single prop, a lightbulb or a chart arrow, out of a scene and use it as a spot icon.

A tip from using the earlier chapters: keep the black line and change only the coral. The line is what makes the set feel like one family, and the accent is what makes it feel like your brand.

Formats and technical details

All 100 illustrations are fully editable vectors in three formats:

• SVG, scalable and editable, for web, apps and Figma

• PNG with a transparent background, for slides, docs and email

• AI, for Adobe Illustrator

Licence

The commercial licence covers personal and client projects, websites, apps, presentations, marketing, social, print, video and educational material. You can change colours, resize and customise the art. You can't resell or redistribute the files on their own, include them in templates or themes for resale, use them in AI training datasets, or sell merchandise where the illustration is the main value. Credit is welcome but not required.

Pairs well with

Chapter 6 shares its line and coral with the rest of the series, so pieces from different chapters sit together on one page. Chapter 5 covers everyday life, health and money and is the closest match in weight. Chapter 4 adds more abstract scenes for landing pages, and Chapter 3 is the outline take on the same ideas. If you need several chapters, the Surreality illustrations collection costs less than buying them one by one. For a calmer, more literal SaaS look, Flagship Chapter 1 SaaS illustrations covers similar topics in a soft gradient style.